Current Projects
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Holbein
by Christopher Lillywhite
About the world: I don’t want to simplify it. I think you should recomplicate the world, not slim down or re-present it. The world – mundane and overlooked - is what interests me. Perhaps my work is not to be looked at directly but more like the way the viewer normally sees the world. The driving force behind this project is a need or a desire to focus and organise a new phase of work: the integration and examination of sound and film into my sculptural practice. Sound, film and sculpture are three components in an imaginary Venn diagram, my aim is to explore their intersections and exclusions over the course of the project. The world has resonance, and can be played and listened to. Sound can be collaged, layered and treated. Some sounds- a squeaking signboard, the hum of cars on concrete roads, the sound of an appliance being turned on, have identifiable, if overlooked, aural signatures. These sounds can create an illusion of reality, of documentary. Film/video are usable. Screens are points of interest, using patterns of light that change and recombine to represent, or not . Documenting, falsely, the world.
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InterActive Organics
by The Dave Lynch Collective
The collective manipulates organic tangible materials within interactive 3D digital space. Cinity (image pictured) Build 6 The continuation of creating digital sculptures from super8 cine film to a specific city dynamic in collabration with sound artists.
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Landscape imprints
by Lynne Roebuck
Lynne Roebuck completed her Masters at the end of October 2007. While some information remains here on this website for the foreseeable future, please refer to www.lynneroebuck.co.uk for the up-to-date status of her fine art practice.
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Receive
by Krissie Ireland
Stories, fragments of stories, I save them and give them up. They are in safe keeping. When I end, play does not... We left the house to view the magic worked as we slept. Every surface glistened yellow beige. Meteorological mischief, a news broadcast explained. We made tiny castles with a gift from the Sahara desert... Like dust that heeds no borders, like blowing on dandelion seeds, like newly hatched spiders hitching a ride on a breeze, like a virus, I want to disperse what I have. I am less concerned about where or to whom these fragments spread, only that they travel. And in a new place become a new story.
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The Memory of You
by Peter David Hamilton
My project work is in the field of rephotography but I prefer to think of it more as a painterly approach to place. I am a videographer and documentarian that uses photographs as a point of departure. With the working title 'The Memory of You' my project will explore local and contrived scenes using different techniques. Visit my website to find out more about my practice
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